It makes important contributions to conversations around the gender gap and the increasing acceptance of transgender people. Going beyond current scholarship on robots and AI to focus on voice-interactive computers, The Computer’s Voice breaks new ground in questions surrounding media, technology, and gender. Faber ends her account in the present, with incisive looks at the film Her and Siri herself. She then moves on to an intrepid decade-by-decade investigation of computer voices, tracing the evolution from the masculine voices of the ’70s and ’80s to the feminine ones of the ’90s and ’00s. Faber explores contentious questions around gender: its fundamental constructedness, the rigidity of the gender binary, and culturally situated attitudes on male and female embodiment.įaber begins by considering talking spaceships like those in Star Trek, the film Dark Star, and the TV series Quark, revealing the ideologies that underlie space-age progress. 2001: A Space Odyssey But Its Australian Siri 573 views 19 Dislike Share Maxablancas 139 subscribers Im Siri, Dave. Why is Star Trek’s computer coded as female, while HAL 9000 in 2001: A Space Odyssey is heard as male? By examining how gender is built into these devices, author Liz W. The Computer’s Voice furthers our belated attention to the soundtrack, both of our media texts but also our lived experience, by deftly deploying feminist theories of (dis)embodiment." -Walter Metz, Southern Illinois UniversityĪlthough computer-based personal assistants like Siri are increasingly ubiquitous, few users stop to ask what it means that some assistants are gendered female, others male. In Stanley Kubricks 2001: A Space Odyssey, the HAL 9000 heuristically programmed algorithmic computer, a forerunner of Siri whom one addresses as Hal. Faber plays intellectual alchemist, swirling methodologies to unearth the roots of our sociological interactions with digital technologies via the auditory, and not merely the visual, domain. What happens if you ask Siri to open the pod bay doors The spaceship in the. Faber explores contentious questions around gender: its fundamental constructedness, the rigidity of the gender binary, and culturally situated attitudes on male and female embodiment. has an affinity for Blade Runner and 2001: A Space Odyssey. WINNER: Emily Toth Award for Best Single Work in Women’s Studies from the Popular Culture AssociationĪ deconstruction of gender through the voices of Siri, HAL 9000, and other computers that talkĬonsidering Star Trek, 2001: A Space Odyssey, Her, and more, Liz W. referencing 2001: A Space Odyssey (Music From The Motion Picture Sound Track) (LP, Album, Club Edition, Reissue, Stereo) SWAK 91517 The jarring dissonance between well-known Romantic pieces and eerie minimalist soundscapes from Ligeti makes this one of the truly haunting soundtracks and a classic Kubrick approach to using music in film. For years, the world has befriended Siri, the useful voice-activated assistant built into.
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